Time all the time gave the impression to be on Martin Phillipps’ thoughts. The singer-songwriter and chief of New Zealand band the Chills instilled his songs with appears again, roads forward, and light melodies that felt worn by yesterday and anxious about tomorrow. Even when he sang a easy love track, Phillipps swirled collectively previous, current, and future in considerate phrases and bittersweet hooks.
On the ultimate Chills album, Spring Board: The Early Unrecorded Songs, time looms particularly massive. Phillipps wrote these 20 tunes again within the Nineteen Eighties, throughout the seven years his band existed earlier than releasing their first album,1987’s Courageous Phrases. In lastly recording them, Phillipps needed to grapple along with his twentysomething self. “A 60-year-old man couldn’t simply persist with the lyrics of these adolescence,” he defined. “A few of the songs had been simply obscure recollections, incomplete, solely blossoming throughout recording.”
Time’s weight on Spring Board feels even heavier now that Phillipps is now not with us, having handed away final June at age 61. It was a shock given his current comebacks, each personally and musically. After struggling for years with Hepatitis C (contracted by accident throughout heroin use) and at one level given months to reside, Phillipps conquered the illness by way of a reasonably miraculous experimental drug program. (His restoration was depicted movingly within the 2019 documentary The Chills: The Triumph and Tragedy of Martin Phillipps.) After practically 20 years with out releasing an album, the Chills roared again within the mid-2010s, producing three glorious LPs and touring internationally.
It’s unclear precisely how Phillipps revised the songs on Spring Board earlier than recording them, however it’s onerous to not hear them in gentle of the turns his life took within the final 20 years. Take “Watching Previous Residence Films,” a self-consciously retrospective track about seeing historical past by way of clear if bewildered eyes. “Projector rattles out my previous/Folks over-exposed who transfer too quick,” he sings over an upbeat however melancholy melody, “As seen by way of tiny little one’s eyes/Leaves me chilly, unhappy, and smart.” Through the wry “Such Self Pity,” he chides his former neediness, even referencing the “needle nonetheless caught in my arm.” And on the chugging “Declaration,” his pressing exhortations to “kind issues out/Set issues straight” rhymes along with his choice to prepare and promote his huge assortment of music and memorabilia.
At different factors on Spring Board, Phillipps’ bouts with time might’ve been written, effectively, at any time. On the resolute “Juicy Creaming Soda,” Phillipps revisits a well-recognized theme of dealing with the previous and shedding regrets: “When all of the adjustments are made/Attempt to perceive that the selection was mine.” Through the album’s most hypnotic observe, “If This World Was Made for Me,” he conjures a dream universe through which all of us “open up our hearts and say precisely how we really feel” (this fantasy additionally contains “24 hours of nice TV”). Over a dashing swell of guitars in “Metal Skies,” he confronts the altering of the seasons, choosing the darkness of winter over the warmth of summer season. “I Noticed Your Silhouette,” a swinging meditation on encountering the specter of an outdated good friend, expresses a haunting just like the Chills’ signature track, “Pink Frost,” although it’s far sunnier than that wistful basic.